Sally Mann Deep South.
taken using wet plate collodion negatives. A process that dates back to 19th century photography.
I like Sally Mann's Deep South photographs because they are so beautiful. Hauntingly beautiful. They feel suspended in time, ghostly and eerie. I really like the handmade and time consuming feel they have to it. I feel my work can kinda relate to these as the subject matter simular, and the nature of the work - old process, images turning out blurry, uneven, rough etc and the unpredictableness.
Dan Eastbrook.
I like Dan EastBrooks work because of it handcrafted feel, and how he uses different, interesting processes. His work has a mysterious feel to it to, due to the random subject matter and how the processes create the uneven, blurry rough images.
These next three had not information on them.
Two trees. 1998. Pencil on waxed calotype neg.
No comments:
Post a Comment